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Point and Shoot: Director John Madden, enlisting the talents of three screenwriters and Helen Mirren, doesn’t elevate The Debt above the war/espionage genre that it seeks to emulate.

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Tease photo Wrong Battle

The Debt owes its audience a little more cohesion to match the entertainment factor.

In director John Madden’s remake of a 2007 Israeli film by the same title, what starts out as a gripping Cold War-era espionage thriller devolves into utter fantasy. Told mainly in flashback sequences, the story ...

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